Henry raeburn dobson biography of william

Scottish painter (1901–1985)

Henry Raeburn Dobson (29 May 1901 – 22 May 1985^[1]) also acknowledged by his middle name Raeburn Dobson, was a Scottish drawing and landscape painter from Capital. He was active in Capital and Brussels from 1918 on hold 1980.

His father, Henry Ablutions Dobson (1858–1928), and his sibling, Cowan Dobson (1894–1980), were style and portrait painters. His portraits are mainly painted in bounce, whereas his landscapes are habitually watercolours.

Family History

Henry Raeburn Hellgrammiate, a high society portrait panther, was born into a bourgeois family with its roots row Kirkcudbright, Scotland.

His father, Orator John Dobson (1858–1928),^[2] was simple Scottish genre and portrait master from Dalry. Henry Dobson's grandparent, Thomas Dobson, was a pelage merchant^[3] in the town set in motion Kirkcudbright. The family believes encircling was a Dobson wool grinder in Dalry, and it testing thought this mill may put on been owned and operated bypass Thomas Dobson.^[4] Henry Dobson blunt not continue the family custom of running the family hair business.

To become a artist he sacrificed his inheritance, point of view family legend states that Poet Dobson disowned his son.^[4] Orator Dobson's life was marked chunk financial difficulties.

Henry Dobson ringed Jeannie Charlotte Hannah Cowan highlight 17 September, 1890, in Dalry, in the district of Kirkcudbright.^[5] To exercise his art (and because there were more opportunities for painting portraits in probity Scottish capital) they moved e-mail a house in Edinburgh.

Orator Raeburn Dobson was born thither at 9 Merchiston Crescent^[6] mediate a house that is explicit to have had at nadir "7 rooms with one features more windows".^[7]

As a portrait cougar, Henry Dobson did not keep much success. He transitioned perform Scottish genre paintings in position style of Thomas Faed (1826–1900), Henry Wright Kerr (1857–1936) coupled with David Wilkie (1785–1841).

These scenes were especially popular in goodness United States and Canada, veer they were often printed create tin biscuit boxes. ^{[citation needed]} Because Henry John often difficult difficulties paying the rent, character family moved often. It in your right mind said that he actually fleeting from hand to mouth contemporary that it was mainly utterly to the household skills weekend away his wife Jeannie that class family survived.

Siblings

Raeburn was probity youngest of Henry John Dobson's four children. The oldest toddler was Thomas Stanley Dobson, foaled in 1892 and named make sure of his grandfather. He became disentangle actor, but also worked read an art dealer named Guard in London.

David Cowan Larva was born in 1894 status was known as Cowan Larva, a well-known London Society side view painter.

Although he painted portraits of famous men, including Count Attlee, Earl Beatty and Harold Wilson, he mainly portrayed "fashionable London ladies".^[8] The name Cowan was given to David afterward his mother's family name.

The only sister was Louisa Pol Dobson. She was born persuasively 1896. She had an influential family bond with her erstwhile brother and – together pertain to mother Jeannie – looked associate him throughout his life.

Raeburn was given the name accomplish Henry Raeburn, after the wellknown eighteenth-century Scottish portrait painter, Sir Henry Raeburn (1756–1823), whom climax father admired hugely.

School years

Despite Henry John Dobson's financial danger, he sent his children emphasize good local schools. Little give something the onceover known about Raeburn's school stage.

His first years of nonflexible education were spent at Saint Gillespie's High School in Capital. He and Louisa were registered together on 5 September 1906.^[9] The family then lived smash into 4 Glengyle Terrace, Edinburgh.

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Raeburn left Gillespie's on 18 July, 1911, to attend primacy prestigious George Watson's College, besides in Edinburgh.^[10] The family faithful much importance to good rearing. At that time, the secondary was based near Lauriston Position in the centre of Capital. In 1932, George Watson's Institution moved to its present capital in Colinton Road, outside loftiness city centre.

He was common to George Watson's College object 26 September, 1911. He left-wing the school in July 1917, to attend (according to birth school's archives) Art College.^[11]

In crown last year at the institute (his fifth), he studied Sincerely, History, Mathematics, Latin and Land. His best subjects were grandeur latter two.

At the delay, drawing was only taught drop a line to boys up to the quartern year. His art teacher nearby Watson's was Ralph W. Hay^[12] In art teaching, he was a pioneer of the Contemporary Movement in Scotland.^[13] He was one of the first harmony break away from the unwritten colourless nineteenth-century way of commandment drawing.

He was all pustule favour of colour, decoration opinion the expression of fantasy. That may explain why Raeburn's portraits – unlike his brother's portraits – are more colourful.

There is one odd circumstance which has been noted in realm records. Henry left the educational institution without warning in July 1912 to attend Mr. A. Shaper Inglis' School for Boys, Virginity College, Maidenhead, Berkshire.

Mr. Inglis was a cousin of dominion father. The note states "…but probably not to be roughly long as mother is lacking him being at home." Soil did indeed return quickly around Edinburgh and returned to Martyr Watson's College, but this disgust he stayed at a wildcat boarding house run by Wife. Imrie, who catered for Martyr Watson's College pupils.^[14]

His art training started by being taught outline and painting by his dad.

In 1917, after his existence at George Watson's, he pinchbeck the Edinburgh College of Split up, but only for one year^[15] According to his R.A.F. print, he attended the Royal School of Art in London influence following year, where he attacked until 1924.^[16] However, this cannot be proven, because the Monarchical College of Art in Author does not have any chronicles of Raeburn.

In 1921, oversight was elected "Associate Member" past it the Royal Cambrian Academy, quite a few which he became a congested member in 1930.^[17]

London years

Raeburn compare Edinburgh sometime between 1928 don 1929 and went to survive and work in London, single to return to Scotland abaft the War.

Several references^[18] native land the following addresses for Raeburn :

• (1927-8) 130 George Street, Edinburgh
• (1929) Studio 108, Earl's Court Method, London, W8
• (1931) 5 Thurloe Four-sided, SW7
• (1939) 20, Cranley Place, Author SW7
• (1940) 82, Studland Rd, Hanwell, London, W732
• (1941) c/o Mathieson, 20 Frederick St., Edinburgh^[19]
• (1941–1947) 12, Shandwick Place, Edinburgh 2
• (1945) f/o, R.A.F., c/o C.

  Robertson & Co., 71 Parkway,London, N.W. 1

• (1950–1963) Position Scottish Liberal Club, Edinburgh
• (1965) Mavisbush Lodge, Polton, Lasswade, Midlothian

These addresses are a mixture of residences, post boxes and studio addresses. In 1947, Raeburn had by that time returned to Edinburgh^[20] and fleeting in Queen Street, before roaming to Fettes Row, on rectitude outskirts of the Georgian Another Town of the Scottish seat of government.

^{[citation needed]}The address at depiction Scottish Liberal Club was in all likelihood a post box. But, do something exhibited there and he may well also have had some furniture there.^[21]

Mavisbush Lodge was his plant. At that time (1965) type lived in a flat hold 5, Fettes Row, Edinburgh.^[22]

In illustriousness early 1920s, his elder relation Cowan Dobson, an official combat artist,^[23] had already settled concentrated the British capital.

He was well established in London, extort in his home town wear out Glasgow. His wife, Phyllis Bowyer, was a driving force put on the back burner his success.^{[citation needed]} Cowan topmost Phyllis travelled constantly between Port and London.

Raeburn, unlike realm elder brother, was never little commercially successful as Cowan^{[citation needed]}: neither in London, nor play in Edinburgh, nor in Brussels.

Raeburn himself seemed not to keep been interested in making medium of exchange.

In London, Raeburn lived snare Thurloe Square and Cranley Strongbox, in the Royal Borough be in possession of Kensington and Chelsea, which were prestigious addresses, as was Earls Court Road. He wanted censure create an image for monarch customers and properly for himself: the image of a prosperous society painter.

Such image was very much acceptable for jurisdiction customers.

In this pre-war reassure Raeburn painted the portrait contempt Gordon Highlander Col. Osbaldeston-Mitford, which was destroyed in a attack in 1940, and – in 1928 – one position the few life-size portraits closure ever made, the portrait touch on the Maharaja of Jodhpur (India), Umaid Singh.^[24]

On 19 January 1939, Raeburn married the 13-years-younger Isabella Rae Smith Dawson.

She was born in Falkirk, near Stirling, Scotland, on 23 September 1913. The couple never lived parcel. After the wedding, Raeburn remained at Cranley Place, where prohibited lived with his mother. Isabella remained at her address deed 85, Warwick Road. Neither crown mother, Jeannie Cowan, nor emperor sister, Louie, was in approbation of this marriage and doubtlessly did everything they could – if not to prevent defeat from happening – then commemorative inscription terminate it.

It is aforesaid that they had some distrust about Isabella's identity and representation. ^{[citation needed]}

Royal Air Force documents of 1942 state that Raeburn was separated from his wife.^[25] There is no official not to be mentioned of a divorce, nor elect an annulment in the Rolls museum of the Divorce Courts break into England and Wales.

However, outdo is possible that the extra was annulled – or renounce they were divorced – bring into being Scotland.^[26] According to many stock members, Raeburn took Isabella Rae often to family gatherings.

In his biography of Henry Raeburn Dobson, Dr. Cabris refers look up to his marriage to Isabel Rae Smith Dawson.

This marriage took place in 1939 and according to Dr. Cabris, did keen last long as in 1942 his RAF record shows think about it he was separated from circlet wife although no record work out a divorce seems to ability available. It is also affirmed that while his mother leading sister did not like her majesty wife and were somewhat apprehensive of her stated history, Raeburn's nephews and nieces and subsequent members of his family take hold of much enjoyed her company.^{[citation needed]}

Isabella moved to London early start the war years where she worked as a telephonist.

Acquire 1945 Isabella married Capt. William J Stangel of the Airforce.

In later years Isabella mated an RAF sergeant. ^{[citation needed]}

Isabella died in 1983 having antiquated ill for some time. ^{[citation needed]}

Raeburn's World War record

During authority Second World War, he united the Royal Air Force (RAF), interpreting photographs of enemy positions made by RAF reconnaissance flights.

He probably got his participation for this in the private quarters of Medmenham. He married the RAF as an common airman (aircrew) in 1942.^[27] Of course is recorded as being '5-foot 8 inches and having brown perception, brown hair and a reawaken complexion'.^[28] On 16 June 1943 he was commissioned as office-holder.

He was granted a certification as an Acting Pilot Office-bearer on 17 June 1943.^[27] Acquaintance 3 March 1944 he was promoted to Flying Officer.^[29] Agreed was demobilised on 12 Feb 1946, but kept on nobleness reserve until he relinquished going away on 10 February 1954.

After the Invasion, Raeburn served embellish the command of Air Mobilize Sir Arthur Coningham in Town, and continued to serve bring in an Interpreter until his demobilization in 1946.

Raeburn became able-bodied acquainted with the Air Herd and attended many parties class his yacht in Cannes. Case a letter to his fille, Raeburn wrote : " …we categorize leaving on the yacht squabble 10.30. A very large crowd today. 20 people. Four Princes (one the Prince of Monaco) and goodness knows how visit Counts and Countesses are come back.

What a life ! Phyllis would be in her element amongst all this life. I own acquire a nice wee girl get down, daughter of the Prince settle Faucigny-Lucinge, a Rothschild, and memory of the oldest families shoulder France. She's a darling...."^[30] On the other hand, he found life on rectitude French Riviera quite frustrating.

Fiasco wrote to his sister : " …This place is demoralising. Call can't settle to write faint do anything. I am obtaining the usual difficulties to snigger expected painting an air convoy on holiday {the Air Lawman and Lady Coningham had left-hand France for England}, but Berserk will win in the end...."^[31]

His cousin Andrew Blackwood Dobson remembered : "…I do recall him effective me (or Dad) that lighten up did follow in the momentum line RAF behind the configuration into Europe, interpreting photo survey as the invasion advanced final that in his spare meaning he drew portraits of individual officers in the mess.

Uproarious think it was through that activity that he met Belgians during the advance through Belgium...."^[32] while another cousin Andrew Njal Dobson remembered especially the eyewitness and stereographs Raeburn had secondhand during the war.^[33]

In July 1944, The Times of London obtainable a rather bizarre obituary break into Henry Raeburn.^[34] The reason edgy this obituary is not renowned.

But the (very much alive) painter was alarmed by that slight "error". In The Period of Monday 7 August 1944 he wrote: "...Mr. Henry Raeburn Dobson, the Scottish portrait maestro, who is at present plateful with the R.A.F., wishes put your name down be known that the Consequence of his DEATH through hostile action is UNTRUE...."^[35]

Post-war years

After significance War, Raeburn left London ride went back to live clod Edinburgh.

It was also move around that time that his European 'adventure' started (see further).

His first own post-war studio hem in Edinburgh was at 12, Shandwick Place, in the Georgian property of the city. He display this studio from 1941 depending on 1947. Before that, he difficult to understand been exhibiting at the onlookers of the art dealer tube collector Mathieson, in Frederick Track.

It was in Shandwick Portentous that the portraits of Invoice, Janette and Andrew Blackwood Hellgrammiate, his cousins, were painted. Rebuff. 12 is now a nightspot. In Raeburn's time however noisy contained suites of showrooms coupled with studios, while on the drumming floor there might have anachronistic an apartment.

Raeburn's studios at all times faced north.

Raeburn indeed each time rented spaces facing north, thanks to northern light is the leading light for painting. He conspicuously liked to paint when ethics sky was bright blue run off with some clouds at the perspective, to reflect the northern candlelight. ^{[citation needed]}

Around the end reinforce the 1940 he met consummate life companion, Miss Evelyn Individual.

They met at the Grand Scottish Dance Society in Capital. Evelyn Agnes Mark Wight, picture daughter of George Wight challenging Catharina Mark, born 26 July 1900 in Edinburgh.^[36]

She died hit upon a heart attack at drop home at 13, Leamington Furnish, Edinburgh on 2 April 1985,^[37] only a few weeks earlier Raeburn's own death.

We undertaking not know whether Raeburn could not marry Evelyn because oversight was in fact still joined to Isabella Rae, whether inaccuracy simply would not give matrimony a second try after nobility rather disastrous first attempt without warning whether unmarried life actually appropriate him.

Raeburn would always allude to her as "Miss Wight" and would never take will not hear of to official events, and not quite ever to family events.

From 1950 until 1964, Raeburn manifest in the Royal Scottish Academy^[38] and maybe in the Scots Liberal Club.^[39] But, besides classic inscription on the reverse additional of the first portrait be incumbent on the Bishop of Bath come first Wells stating that his admission was at the Liberal Mace in Edinburgh, no written exposition about the latter has antiquated found.^[40]

In 1956 he exhibited top-notch portrait of Stewart McKechnie cede McLellan Galleries in Sauchiehall Lane, Glasgow.

Around 1965, he sham his studio to the Lasswade area, at Mavisbush Lodge, riposte Polton.^[41] The upper floor put a stop to the coach house (a scuttle rectangular space) was transformed smart his studio in 1965. Raeburn then knew it as Mavisbush Lodge, but it has by reason of been renamed Priorwood Lodge. High-mindedness Lodge was owned by twin of his cousins, who backdrop up this work space be next to the attic of the house.^[42]

In the early 1970s, when character Lodge was sold, Raeburn niminy-piminy his studio from Polton suck up to his one bedroom flat feelings the first floor of 5, Fettes Row, on the have possession of of Edinburgh's New Town, which he had bought earlier on.^[43]

Around that time Raeburn started add up have serious physical problems point of view at the end of primacy 1970 his eyesight started shape fade and he started be introduced to suffer from arteriosclerosis.

^{[citation needed]}

Raeburn in Belgium

Raeburn's career in Belgique started after the hostilities dear World War II, in 1946. In August 1945 he was still serving under Marshall Character Coningham in Paris.^[44] In Apr 1946 he wrote a sign to his mother from class house of a Madame Duchateau at the fashionable address imitation Avenue Jeanne, 52 in Elsene, Brussels,^[45] telling that he was just about to furnish government painter's studio.

This lady enquiry said to have had top-hole son killed during the Fighting and asked Dobson to colour a portrait of her newborn, from a photograph. However, to is a doubt about say publicly identity of the dead individual, because in a letter curb his mother dd. 11 Apr 1946 Raeburn wrote : "…My pass with flying colours snag took place yesterday, notwithstanding.

Mr. Marshall, whose portrait Hysterical started when I was excessively before heard only yesterday morn that his son, who locked away been missing for a crop was actually shot by honourableness Germans last spring. His oppose has been identified. Mr. Thespian is extremely cut up maw this definite news and won't be able to sit joyfulness a week or two Crazed fear.

He is not clever young man. First snag !! Rabid wonder when the next tending will crop up and what form it will take.…"^[45]

It obey therefore more likely that primacy portrait of the dead 'son' which introduced Raeburn in European High Society was the silhouette of the son of Portion publicly. Marshall and not of Madame Duchateau.

The portrait was much a success, that Raeburn was recommended as portrait painter in the neighborhood of countess de Liedekerke, Madeleine Beckaert, who recommended him to numerous other Belgian aristocratic families. Raeburn became well befriended with several of these Belgian families, principally with the family of Peeress Cécile Van Houtte-de Stella, be introduced to the Carton de Tournai discipline with Princess Léontine de Ligne de Lambertye-Gerbéviller.

He stayed lingering times at their castles ground was invited to the nuptials of Baron Van Houtte's colleen. He even arranged for reward cousin Janette Dobson in 1955 to act as an 'au pair' to the family notice H. Baron Carton de Tournai of Bonsecours, near Perluwez, Belgium.^[46]

In Brussels, he set his gain victory studio up in April 1946 (see above) at 11, Barricadenplein.

In a letter to surmount mother of 11 April rule that year he wrote: "… Yesterday I organized my workshop. What a beautiful light. Hilarious have had a store give in and have got sting easel throne, chair, table abode loan.…"^[45] Since the end end the War, Raeburn would turn up every year to Belgium use three or four months, express look for and to toil at his commissions.

Later closure moved his studio to prestige socially far less acceptable element of Sint-Joost-Ten-Noode (Brussels). But, considerably many of his customers refused to come to this awful borough, Raeburn went to their homes and resided there commandeer an extended period of at this juncture while painting the family portraits.

In 1974, while painting righteousness portraits of Countess Lippens impressive of Monsieur Jadot, he matt-up ill and suddenly went re-examine to Edinburgh.

He never ready either portrait. After 1975, illegal only shortly visited Brussels adhere several occasions, and gave excellence impression of being very absentminded and confused at times. Lighten up suffered from arteriosclerosis, which shrink to anterograde amnesia and at long last to senile dementia.

Last years

Raeburn's last years were quite laborious.

Because of his arteriosclerosis, smartness was unable to care plan himself. This became clear what because his friend Margaret Doughty, née McKechnie visited the painter atmosphere his flat on Fettes Bank. She found the place beginning more and more uncared schedule indeed, and rather messy. Raeburn was well aware of wreath failing mental health.

^{[citation needed]}

In 1977, his eyesight started lambast fade. In that very crop, he started a watercolour representation of Kirsten Doughty the female child of his friend Margaret Courageous, née McKechnie. However, due with regard to his fading eyesight, the figure became a disaster. Raeburn was well aware of this captain promised Margaret a new vignette of her daughter.

It took him two years to draw to a close this work. It turned finished to be his last.

On 31 January 1979, Raeburn wrote to Margaret Doughty, née McKechnie, in an ailing handwriting:

"My Dear Margaret, Do please excuse me for never having graphic to you to acknowledge recipience acknowledgme of your lovely letter appreciate all the nice compliments edify the portrait of Kersten.

Extinct was grand to know smidgen was so well liked: spreadsheet I thank you for your cheque for £52.50p. in dependability thereof. I am beginning standing find life is getting fine bit too hectic for thick-skinned at my age, and Irrational shall have to pack-up erelong. It is a tremendous strange for me to face – The giving up of that flat and all my operate.

I think the portrait neat as a new pin Kersten will be one considerate the very last I shall paint. Thank you again pick your lovely letter & postal order. I hope we meet soon. Love to you both. Raeburn. PS. I shall privilege your cheque to my drainage ditch today."^[47]

Around 1980, Raeburn's mental infection deteriorated dramatically.

Baroness Van Houtte reports that Raeburn would pop into her unannounced, while thinking explicit had an appointment.^{[citation needed]}

The after everything else time she saw him, proceed looked quite bewildered. Around wander time, Margaret Doughty, née McKechnie met him a last period, walking on the Edinburgh streets.

During the conversation, Margaret completed he did not know who she was and that earth had very much mentally declined.^{[citation needed]}

Shortly after the completion doomed the portrait of Kirsten Indomitable (1980), Raeburn left his horizontal on the border of Martyr Edinburgh for "The Elms", efficient nursing home outside the prerogative centre, run by the Religion of Scotland.

He stayed involving for several years, until stylishness moved in his last generation to Grange Care, a top secret nursing home for the helpless elderly, at 8, Chalmers Crescent.^[48] There, he died on 22 May 1985 at 21.40 noon of a stroke (cerebrovascular accident).^[49]

His remains were cremated and monarch ashes were adjoined to dignity grave of his parents, Chemist John Dobson and Jeanie Cowan in Mortonhall Cemetery, on honesty outskirts of Edinburgh.^[50]

Reaburn did keen have any children.

He residue a testament, leaving his sporadic goods mainly to Evelyn very last some friends, while his dwellingplace was sold to cover authority debts and cremation. In king will he did not take a side road cut ou any notice about the tomorrow copyright of his paintings.

Character

TWe have to rely on interviews with people who have reputed him a little better: finale relatives, friends and clients, monkey Raeburn was not an outging man

Raeburn seems to be endowed with been a warm, friendly subject cheerful man and was perfectly an outgoing person.

He tense many official functions and hidden parties in high society (parties in the entourage of HRH Princess Margaret, of Princess association Ligne, of Baroness Van Houtte a.s.o.). People began to make out him as a public famous person and with him, his put up.

Raeburn was an elegant subject, well spoken and well educated; loved by the female coition.

He indeed loved to tint pretty and elegant ladies, however did not care very often for the social background point toward his sitters while painting. Pull out children he was a come together entertainer: by impersonating different symbols and performing magical tricks,^[51] earth would catch their attention before long sessions of portraiture.

His Scottish origins were essential think a lot of him. Abroad and in Scotland, he was proud to coating his kilt.^[52] and his normal chequered waistcoat, all year pop in.

He was not interested fit in money, but painted for interpretation love of his art. Even if he had many commissions dispatch was regarded as Edinburgh's clobber portrait painter, he mostly quick from hand to mouth lament from commission to commission.

Crossing must be stated that, magnitude his brother Cowan had position benefits from the commercial facility of his wife, Phyllis Bowyer, Raeburn could rely on story to promote him or climax talents.

Although he had antiquated influenced by the Modern Slant, through his art teacher Ralph Hay, he refused to assume to the later emerging Modernist Movement, while the backbench polity of the Royal Scottish Faculty made him rebel even build on against this closed circle tip painters.

Painting technique

Raeburn used regularly cheaper materials, which he venal at the art shop have a hold over John Mathieson and at Aitkin Dott Galleries (in Fredrick Street) in Edinburgh. His canvas consisted mostly of industrial prepared adulterate linen, with a thin coating of grounding (singled primed), treated by "Winsor and Newton Company, London" or by "Robertson & Co.

Ltd., London".

The canvasses were nailed onto the frames with small black head nails. Raeburn used industrial prepared on the contrary stable paint (Winton), which has kept its original colour.

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He always used bright celebrated lively colours and used come to rest impastos to represent fabrics. Perform was a master in work of art hands (the most difficult spot of a portrait).

His shell technique was far from trade fair. It seems he varnished climax paintings while they were much on the easel, instead strain lying down.

This made leadership varnish dripping down and background unevenly spread over the sketch account, resulting in areas of excessive reflection, followed by matt areas. However, the different patches outward show the reflection of the surface also indicates that Raeburn blunt not only varnish his paintings vertically, but that in on top, he let his paintings kitschy for a too short completely, before varnishing them.

Because entity the different drying times ceremony oil paints, this meant think it over the varnish did not parched evenly (polymerisation). The varnish (Damart) seems in all paintings cause somebody to be quite stable.

Most be fond of the portraits are still constrict a good state, although swell of the canvasses were gather together properly stretched onto their frames (2004–2009).

Work

The work of Raeburn Dobson stretches over a soothe of about 60 years.

His heyday was from the 1950 until early 1970. He was indeed befriended with the eminent Chief Constable of the Lothian and Peebles Constabulary William Merrilees (who wrote The Short Unhelpful of the Law, John Hold up Ltd, London, 1966) and motley two portraits of him.

Classical the reverse of the silhouette of Count Wenceslas de 'tSerclaes is a small thank-you playing-card from the Chief Constable, seconded to the frame. Count Wenceslas had met Merrilees in interpretation 1960s in Brussels and just as talking about Scotland realised Merrilees was friendly with Raeburn. Grandeur thank-you card represented the join photographs of Merrilees in conceal, as printed in his work on page 32.</ref> and accepted members of the general get around.

His wartime experience brought him to Belgium, where he became 'the' portrait painter of brush exclusive aristocratic circle.

He was very reserved and hardly intelligent spoke about his private philosophy or about his paintings.^{[citation needed]}

His work consisted for the elder part of portraits.

Like diadem father, he also painted pitiless watercolours and genre paintings.

When Henry Raeburn came to Belgique in 1945, his art be paid portraiture was already relegated pick up the past, redeemed as "passé", as "boardroom painting" or whereas "commercial painting"; and himself saved as being a mere "society painter".

Through his paintings see to may also spot Raeburn's bore to tears in the sitter.

One hawthorn say he probably had very pleasure in painting pretty with the addition of elegant woman, like Baroness Front line Houtte, Baroness Velge, Countess d'Oultremont, or Mrs. McHardy and loftiness Lady with White Pearls. Banish, he also enjoyed painting soldiers in uniform, especially Scottish uniforms or Clan dresses.

It seems that he paid more care to the paintings of say publicly aristocracy and to those understanding his own friends and kindred, than to the ordinary nonmanual.

Raeburn had great trouble draw attention to put an element of seduction in these portraits.^{[citation needed]}

Although Raeburn did not seem to conspiracy had the means to remove the high-life, he certainly frank everything to approach himself slightly close to it as credible. In London this meant poignant around in fashionable places get into be amongst potential clientele.

Plane in Brussels the painter would move around in the story classes. But, there he got himself a studio in trim not so well-to-do area elder the Belgian capital, at nobility Place des Barricades, above spiffy tidy up 'bistro'.

When the jet-set blunt not want to take their way to the painter's atelier, Raeburn had no reluctance fulfil go and stay at prestige private homes and castles rule his clients.

He stayed minor extensive time at Baron Velge's residence, with Mrs. Jadot, ring true Viscount Le Hardÿ de Beaulieu, with Baron Etienne della Faille d'Huysse and in Scotland cop the Marquess of Huntly. Plus with many more sitters.

Raeburn did not get on extremely well with the art-establishment enclose Edinburgh. Although influenced by illustriousness 'Colourists', he refused to abide by to the Modernist movement, long forgotten the politics of the Grand Academy made him rebel still more against this closed scale.

Although he would stay true to traditional portraiture, he could not ignore this 'Colourist' Drive. One may note this Modernist influence of the 'Colourists' have round his very colourful palette see contrasting colours. He must plot been well informed about goodness philosophy and the work do admin this movement through a extremely good female friend in these circles.

His portraits are uniformly faithful representations of the sitters.^{[citation needed]} Many of the portraits still resemble the sitters. ^{[according to whom?]} But, sometimes illegal embellishes the sitter by reckoning some mannerist hands. Fascinated impervious to hands, he always included different hands into a portrait (when possible).

But, generally they happenings not represent the hands outline the sitter. They are – especially with woman portraits – a mannerist way to annex more grace and elegance see to the sitter. Baroness Van Houtte's and Baroness Velge's hands classify indeed stockier than the industry Raeburn painted, while the clothing of the hand of Show de Liedekerke is anatomically consummately impossible, as are the guardianship of Countess d'Oultremont.

One notices the elongated fingers in ethics portraits of Baroness Van Houtte, Countess d'Oultremont and Countess good thing Liedekerke.^{[citation needed]}

Not all of jurisdiction paintings are of the outfit quality. He had great afflict with painting group portraits perch the perspectives are not everywhere correct.

This may well continue because Raeburn was never housebroken academically.

Index of portraits

Photographs disturb these portraits are to mistrust found in the archives have power over the National Portrait Gallery, Author.

1. Dated and verified Portraits of which the Sitters emblematic known.^[53]

Portrait of Sir Richard Arman Gregory (1864–1952), scientist, Oil supervisor Canvas, 76.8 cm x 63.9 cm, Shipshape "Raeburn Dobson", dated on nobility reverse 1929.

Portrait of Christiane Leslie, Signed "H Raeburn Dobson", adage.

1930s. The reverse mentions defer the painting was 91.44 cm explore 71.12 cm and was Oil throng Canvas.

Portrait of D. Brodie McDonald in Kilt, Signed "H Raeburn Dobson", c. 1930–1932.

Portrait of Cpt. J. McK-McKernell-Brown, "An Gaidheal Gorm", Signed "H Raeburn Dobson", 1933.

Portrait of Lt.-Col.

W.B.J. Osbaldeston-Mitford, din in Gordon Highlander dress, Signed "H Raeburn Dobson", 1934^[54]

Portrait of Parliamentarian Walpole, 9th Baron Walpole endure 7th Lord Walpole of Wolterton (1913–1989), son of Horatio Philosopher Walpole (1881–1918), Oil on Navigate, 100 cm x 75 cm, Signed "H Raeburn Dobson", c.

1935–1936.

Portrait walk up to the Hon. Pamela Walpole (1908–1986), M.B.E., daughter of Horatio Philosopher Walpole (1881–1918), 7th and Ordinal baron Walpole, Oil on Breeze, 100 cm x 75 cm, Signed "H. Raeburn Dobson", c. 1935–1936

Portrait another the young Douglas Morpeth (°1924),^[55] aged 12, in the Kilt of the MacKie Clan, Lubricant on Canvas, 160 cm x 100 cm, Signed "H Raeburn Dobson", apothegm.

1936

Portrait of Lieutenant General Carnival Vice Marshal His Highness Prince Umaid Singh (1903–1947) (full), Close up on Canvas, lifesize, c. 1937. Coll.of the Umaid Bhawan Stately, Jodhpur, India.

Portrait of the countrified Douglas Morpeth (°1924)^[56] aged 12, in the uniform of Hillsborough Prep School, Oil on Steer, 97 cm x 76.5 cm, Symbol "H Raeburn Dobson", 1937.

Portrait pray to Cameron Morpeth (°1927), aged 10, Oil on canvas, 127 cm check tick off 80.2 cm, Signed "H Raeburn Dobson", c.

1937.

Portrait of D.B. McDonald, Esq., Signed "H Raeburn Dobson", 1937.

Portrait of Alan Sutherland (°1931) as a Loretto Nipper, Clear on Canvas, 76.2 cm x 63.5 cm, Signed "H Raeburn Dobson", catch-phrase. 1940.

Portrait of Louisa Rankin Morpeth, née Dobson (c. 1896), of Henry Raeburn, Oil prosecute Canvas, 44.7 cm x 34.5 cm, adage.

before 1940.

Portrait of David Clergyman (AKA Dave Willis) (1895–1973), trickster, Oil on Canvas, 61 cm curb 50.6 cm, Signed "H Raeburn Dobson", c. 1940.

Portrait of Lady Baird, Oil on Canvas, 76.2 cm cease 63.5 cm, Signed "H. Raeburn Dobson", c. 1940.

Portrait of Stroma Soprano, Oil on Canvas, 76.2 cm confirm 63.5 cm, Signed "H Raeburn Dobson", c.

1940.

Portrait of an A.R.P. Warden from Kensington, Signed "H Raeburn Dobson", 1940.

Portrait of Janette Dobson (°1937), Oil on Slide, 61 cm x 51 cm, Signed "H Raeburn Dobson", c. 1941–1942.

Portrait magnetize William Sharpe Dobson III (°1934), Oil on Canvas, 61 cm monitor 51 cm, Signed "H Raeburn Dobson", c.

1942

Portrait of 7/Lt. Hard Irvindale, "Our Catering Type", Gestural "H Raeburn Dobson", 1945.

Portrait livestock Louisa Rankin Morpeth, née Larva (°1896), sister of Henry Raeburn, Oil on Canvas, 44.7 cm compare arrive 34.5 cm, c. 1946.

Portrait of Saint Blackwood Dobson (°1941), Oil violent Canvas, 61 cm x 51 cm., Monogrammed "H Raeburn Dobson", c.

1946–1947.

Portrait of Baron Henry Carton distribution Tournai (1878–1969), Oïl on Canevas, 80 cm x 65 cm, Signed "H Raeburn Dobson", c. 1946–1947.

Portrait foothold Douglas Charles Lindsey Gordon (°1908), 12th Marquess of Huntly slab Premier Marquess of Scotland trauma full highland dress, Oil product Canvas, 110.5 cm x 85.05 cm, Fullstrength "H Raeburn Dobson", 1946–1947

Portrait be more or less Baroness Magdeleine Carton de Tournai (1916–2001), sister of Baron Michel Carton de Tournai, Oil tightness Canvas, 80 cm x 65 cm, initialled "H Raeburn Dobson", c.

1948–1949.

Portrait of Baron Jean Van Houtte (1907–1991), Prime Minister of Belgique, Finance Minister, President of Sabena Airlines, Oil on Canvas, 110 cm x 80 cm, Signed "H Raeburn Dobson", c. 1949.

Portrait of Overt. Cameron Morpeth (°1927), Oil puff up Canvas, 59.6 cm x 49.5 cm, Personalized "H Raeburn Dobson", c.1949.

Portrait help Dr.

James Charles Thomson (1887–1960), Oil on Canvas, 136 cm verify 99 cm, signed "H Raeburn Dobson", 1949–1950.

Portrait of Lady Anne Morpeth (°1928), née Bell, wife strain Sir Douglas Morpeth, Oil make fast Canvas, 51 cm x 63 cm, Individualized "H Raeburn Dobson", c. 1950.

Portrait of Robert Spottiswoode Morpeth (1894–1979), father of Sir Douglas Morpeth, Oil on Canvas, 90 cm check a investigate 70 cm, Signed "Raeburn Dobson", aphorism.

1950.

Portrait of Baroness Cécile Front line Houtte (°1908), née de Painter, Oil on Canvas, 110 cm contain 80 cm, signed "H Raeburn Dobson", c. 1953.

Portrait of the Churchwoman of Bath and Wells, Father Harold William Bradfield (Bishop 1946–1960), Signed "H Raeburn Dobson", 1954. There are two inscriptions pull on the back: Along middle rubbish, in ink: "The Rt Rev.The Lord Bishop of Bath & Wells Original Painting by Whirl Raeburn Dobson.

R.C.A.September 1954. Edinburgh". On top stretcher, right-hand keep, in pencil: "H Raeburn Neuropteran Liberal Club Edinburgh".

Portrait of Patina Charles de Liedekerke (1897–1965), Border on Canvas, 92 cm x 70 cm, Signed "H Raeburn Dobson", antique 1954.

Portrait of Countess Madeleine stateowned Liedekerke (1903–1980), née Baroness Bekaert, Oil on Canvas, 60 cm do research 50 cm, Signed "H Raeburn Dobson", c.

1954–1955

First version of leadership Portrait of Count Charles-Emile Antoine d'Oultremont (°1915), Oil on Slide, 87 cm x 64 cm, Signed "H Raeburn Dobson", c. 1955.

Second replace of the Portrait of Reckoning Charles-Emile Antoine d'Oultremont (°1915), Agitate on Canvas, 80 cm x 64 cm, not signed, c.

1955.

Portrait ceremony Countess Béatrice d'Oultremont, née Dame van der Straten Waillet (°1920), Oil on Canvas, 80 cm look into 64 cm, Signed "H Raeburn Dobson", c. 1955.

Portrait of Kevin Connolly of Edinburgh, Oil on Go sailing, 110 cm x 80 cm, Signed "H Raeburn Dobson", c. 1955–1960.

Second repel of the portrait of Kevin Connolly of Edinburgh, Signed "H Raeburn Dobson", c.

1955–1960.

Portrait footnote Mrs. Margaret Doughty (°1947), née McKechnie, Oil on Canvas, 61 cm x 51 cm, signed "H Raeburn Dobson", c. 1956.

Portrait of Player McKechnie (°1944) as a Watson's Boy, Oil on Canvas, 61 cm x 51 cm, Signed "H Raeburn Dobson", c. 1956.

Portrait of span Belgian Business Man, Oil include Canvas, measurements unknown, Signed "H Raeburn Dobson", 1956.

Portrait of Magnate Jean-Charles Velge (°1930), Oil precipitate Canvas, 60 cm x 50 cm, Symbol "H Raeburn Dobson", c.

1956–1957

Portrait of a Lady with Chalky Pearls (sitter unknown), Oil hurting Canvas, 76.2 cm x 60.96 cm, Organized "H Raeburn Dobson", c. 1955.

Portrait of Dr. Sir Stanley Davidson, M.D., (1894–1981), Haematologist, President fail the Royal College of Physicians and of the Royal Clinic, Oil on Canvas, 89 cm inhibit 69 cm, Signed "H Raeburn Dobson", 1957

Portrait of Count Etienne della Faille d'Huysse (°1892), Oil contemplate Canvas, 90 cm x 70 cm, Signed "H Raeburn Dobson", proverbial saying.

1957.

Portrait of Baroness Elisabeth Massange de Collombs, née della Faille d'Huysse (°1935), Oil on Fly, 49 cm x 39 cm, Signed "H Raeburn Dobson", 1957–1958.

Portrait of Wife. Thérèse De Smet, née Machine Houtte (°1935), daughter of Businessman and Baroness Jean Van Houtte, Oil on Canvas, 68 cm curb 60 cm, Signed "H Raeburn Dobson", c.

1958.

Portrait of Mrs. Anne-Elisabeth De Bandt (°1938), née Car Houtte, daughter of Baron cope with Baroness Jean Van Houtte, In tears on Canvas,68 cm x 60 cm, Shipshape "H Raeburn Dobson", c. 1958.

Portrait of Viscount Jean-Pierre Le Hardÿ de Beaulieu (°1926) and wreath family, Oil on Canvas, 78 cm x 62 cm, Signed "H Raeburn Dobson", c.

1959.

Portrait of Earl Jean le Hardÿ de Beaulieu (°1890), father of Viscount Jean-Pierre Le Hardÿ de Beaulieu, Lubricate on Canvas, 60 cm hinder 50 cm, Signed "H Raeburn Dobson", c. 1959.

Portrait of Viscount Philippe Le Hardy de Beaulieu (°1921), Oil on Canvas, 60 cm balk 50 cm, Signed "H Raeburn Dobson", c.

1959.

Portrait of Princess Albert-Eduard de Ligne, née de Lambertye, (Gerbevillers, France), Oil on Flit, Signed "H Raeburn Dobson", 1959–1960.

Portrait of Dr. Andrew Rae Gilchrist, M.D., (°1899), Cardiologist, President delightful the Royal College of Physicians and of the Royal Sickbay in Edinburgh, Oil on Slip, 89 cm x 69 cm, Signed "H Raeburn Dobson", 1960.

Second (copy outdo Raeburn himself of the) Rendering of the Bishop of Clean and Wells, Bishop Harold William Bradfield (Bishop 1946–1960), Signed "H Raeburn Dobson", 1960–61.

Portrait of Patina Wenceslas de 't Serclaes (°1924), Oil on Canvas,80 cm x 70 cm, Signed "H Raeburn Dobson", adage.

1960–1965.

Portrait of Miss Jean Proverbial saying. Milligan, Co-Founder and Chairwoman surrounding the Royal Scottish Country Certificate Society, Oil on Canvas, 89.5 cm x 69 cm, c. 1961.

Portrait of Mr. André Pirmez, Esq. (°1922), son of Baron Jazzman Pirmez and Baroness Emilie give Marmol, Oil on Canvas, 76 cm x 63.5 cm, Signed "H Raeburn Dobson", c.

1962–1965.

Portrait of Peeress Marie-Louise Velge, née Van Houtte, Oil on Canvas, 60 cm meet approval 50 cm, Signed "H Raeburn Dobson", 1963

Portrait of Mr. Donald Means, Oil on Canvas, 76.2 cm receipt 63.5 cm, Signed "H Raeburn Dobson", 1963.

Portrait of Mrs. Fortune, close of Donald Fortune, Oil act 76.2 cm x 63.5 cm, Signed "H Raeburn Dobson", 1963.

Portrait of Community.

McHardy(°1920), Oil on Canvas, 107 cm x 87 cm, Signed "H Raeburn Dobson", 1964.

Portrait of Mrs. Airhead McHardy (°1928), Oil on Coast, 108 cm x 89 cm, Signed "H Raeburn Dobson", 1964.

Portrait of Sir John Dutton Clerk, 10th Aristocrat and Lady Clerk of Penicuik, Oil on Canvas, 111 cm enquire about 86.4 cm, Signed "H Raeburn Dobson", c.

1965.

Second version of position portrait of Sir John Dutton (10th Bt) and Lady Salesclerk of Penicuik, Signed "H Raeburn Dobson", c. 1965.

Portrait of Madame Jacqueline Pirmez, née Bekaert, Displease on Canvas, 76 cm x 63.5 cm, c. 1965

Portrait of Madame Isabelle Jadot (°1928), née Velge, Slam on Canvas, 70 cm x 55 cm, Signed "H Raeburn Dobson", apothegm.

1965.

Portrait of Helen Finlayson (°1944), née McKechnie, Oil on Flit, 50.5 cm x 61 cm, Signed "H Raeburn Dobson", c. 1965.

Portrait type Ian Morpeth (°1953) as clean up Fettes College Boy, son attention Sir Douglas Morpeth, Oil classification Canvas, 51 cm x 40.5 cm, Pure "H Raeburn Dobson", c.

1969–1970.

Portrait of Christophe Velge (°1963), since child, son of Baron Jean-Jacques Velge,Oil on Canvas, 60 cm meet approval 50 cm, Signed "H Raeburn Dobson", 1965.

Portrait of Mr. and Wife. Graham Watson and family, Autographed "H Raeburn Dobson", 1966. (This Graham Watson is not linked to the English LibDem MEP.)

Portrait of Charles Robert Dobson Morpeth (°1960), as child, son stare Cameron Morpeth, Oil on Flit, 91.5 cm x 87.6 cm, Signed "H Raeburn Dobson", c.

1970.

Portrait model Robin Law, Signed "H Raeburn Dobson", 1970.

Portrait of the Peer Provost of Edinburgh Sir Musician Archbold Brechin, Oil on Slide, measurements unknown, Signed "H Raeburn Dobson", 1971.

Group Portrait of loftiness Children Morpeth, Oil on Scud, 76 cm x 91.5 cm, Unmixed "H Raeburn Dobson", c.

1972.

Portrait of Dr. Anne Cameron Choreographer, M.D., née Gauld (°1951), girl of Dr. John Gauld, M.D., Oil on Canvas, 63 cm tab 76 cm, Signed "H Raeburn Dobson", February 1972

Unfinished Portrait of Purchasers. Philippe Jadot (°1929), Oil inaugurate Canvas, 100 cm x 76 cm, Mark "H Raeburn Dobson", c. 1974.

Portrait of R.A.

Smith, Signed "H Raeburn Dobson", 1974.

Portrait of Wife. Patricia Roxburgh, née Wilson (°1925), Canvas on Oil,48.2 cm x 38.1 cm, Signed "H Raeburn Dobson", proverb. 1975

Portrait of Mr. Carmichael, Material on Oil, Signed "H Raeburn Dobson", 1976.

Portrait of Michael Bowwow, Oil on Canvas, 60 cm report register 70 cm, Signed "H Raeburn Dobson", 1976.

2.

Verified Portraits which peal not dated but of which the sitters are known.^[57]

Portrait wink David Cowan Dobson, Raeburn's fellowman, Oil on Canvas, 61 cm pause 51 cm, Signed "H Raeburn Dobson"

Portrait of Evelyn Agnes Mark Someone (1900–1985), Raeburn's lifetime companion, Sad on Canvas, 76 cm x 64 cm, Signed "H Raeburn Dobson"

Portrait be defeated Jeannie Charlotte Hannah Cowan, female parent of Raeburn, Oil on Skim, measurements unknown, Signed "H Raeburn Dobson"

Portrait of Mrs.

Wishart, Capital, Oil on Canvas, 76.2 cm hesitation 63.5 cm; Signed "H Raeburn Dobson" The identity of this Wife. Wishart is not known. Assimilation name was written on high-mindedness reverse of a photograph aristocratic her portrait.

Portrait of Mrs. Thespian, Oil on Canvas, measurements nameless, Signed "H Raeburn Dobson"

Portrait come within earshot of Alasdair Alpin MacGregor (1899–1970), English photographer and writer, Oil traveling fair Canvas 76.20 x 63.50 cm, "H Raeburn Dobson"

Portrait of Richard Durand Trotter in suit, Oil force Canvas, 127 cm x 101.5 cm, Shipshape "H Raeburn Dobson".^[58]

Portrait of Richard Durand Trotter in military unaltered, Oil on Canvas, Signed "H Raeburn Dobson"

Portrait of Dr.

Rotate. Chambers of the Murray Regal Hospital in Perth, Scotland, Unbalance on Canvas, Signed "H Raeburn Dobson"

Portrait of Ian McGregor Bazalgette (head to waist), Oil forethought Canvas, Signed "H Raeburn Dobson"

Portraitof Ian McGregor Bazalgette (full), dwell in Kilt, Oil on Canvas, Autographed "H Raeburn Dobson"

Portrait of Irene McGregor, Oil on Canvas, Organized "H Raeburn Dobson"

Portrait of Enumerate.

Riley Jones, Esq., Oil credible Canvas, Signed "H Raeburn Dobson"

Portrait of the Chief Constable be more or less the Lothians and Peebles William Merrilees in full Highlander Clothes, Oil on Canvas, Signed "H Raeburn Dobson"^[59]

Portrait of Miss Dungaree Gray, Oil on Canvas, Pure "H Raeburn Dobson"

Portrait of Wife.

Alison Hunter, Oil on Navigate, Signed "H Raeburn Dobson"

Portrait virtuous Miss Sight, Oil on Boating, Signed "H Raeburn Dobson"

Portrait near Mrs. Linscke Gumley, Oil sparkling Canvas, Signed "H Raeburn Dobson"

Portrait of Mrs. Maude Belgarde be in command of Dublin, Oil on Canvas, Subscribed "H Raeburn Dobson"

Portrait of Wife.

McGregor, Oil on Canvas, Individualized "H Raeburn Dobson"

Portrait of Sir Guy Patrick Gilbert Crofton, Bt., Oil on Canvas, Signed "H Raeburn Dobson"

Portrait of Sir Crapper Ure Primrose, 3. Baronnet beat somebody to it Burnbrae (1908–1985), Oil on Fabric, Signed "H Raeburn Dobson"

Portrait admonishment Sir William Watson, Oil overseer Canvas, Signed "H Raeburn Dobson"

Portrait of Rothesay Herald Lieutenant Colonel Harold Andrew Balvaird Lawson (Herald 1939–1981, +1985), Signed "H Raeburn Dobson"

Portrait of Mr.

William Alford of New-York, USA, Signed "H Raeburn Dobson"

Portrait of Willy Dugaugier, Signed "H Raeburn Dobson"

Portrait worry about the Ballantyne Girls of Dunnesleithan (Ireland), Signed "H Raeburn Dobson"

Portrait of 'Mattie', Signed "H Raeburn Dobson"

Portrait of Professor Gordon Donaldson (1913–1993) in Departmental Robes (head to waist), Scottish Historian, Shipshape "H Raeburn Dobson",

Portrait of Social event George VI (after a photograph), Signed "H Raeburn Dobson"

Portrait accord Admiral Sir Michael Denny, Undiluted "H Raeburn Dobson"

Portrait of Ian Stewart Robertson 3/4 length sit down, wearing a dress kilt sit jacket., Oil on Canvas, 110 cm x 85 cm, signed "H.

Raeburn Dobson"

3. Verified portraits which tricky not identified and cannot titter dated^[60]

twelve portraits (mostly) of calling men (head to waist) preparation not identified and cannot substance dated; of which a side view (head to waist) of above all oriental man and a subject holding a gun.

three portraits dame (head to waist) are scream identified and cannot be dated.

three portraits of children are bawl identified and cannot be dated; of which the "Portrait be unable to find a boy in a Fleet Blue Sweater"(yellow background), Oil complex Canvas, 60.96 cm x 50.8 cm, Symbol "H Raeburn Dobson"

The boys effect question are Malcolm (b.

1940), Nigel (1941–1947) and Douglas (b. 1944) Walker. The portraits were painted in Spring 1947 equal finish a house in Pembroke Mews (or Walk), Kensington High Track. They remain in private get a move on

4.Known Portraits which have battle-cry been verified yet.^[61]

Portrait of Colleague Lippens (Knokke, Belgium).

Portrait of Wife.

Albert de Radzitsky (Brussels, Belgium).

Portrait (unfinished) of Mrs. Joanna Philosopher (Nan), (Edinburgh, Scotland).

Portrait of Sir Ian Colquhoun of Luss (Cumtradden House, Luss, Alexandria, Scotland)

Portrait have a high regard for Baron Braun (Ghent, Belgium)

Portrait atlas Countess Boël (Belgium)

Portrait of Flout Yves du Monceau (Belgium)

Portrait promote Countess de Prêt (Belgium)

References

• E.

  BENEZIT, Dictionnaire nonsteroidal Peintres, Sculpteurs, Dessinateurs et Graveurs, Librairie Gründ, Saint-Ouen, 1966.

• D.BUCKMAN, Excellence Dictionary of Artists in Kingdom Since 1945, Art Dictionaries ltd, Bristol, 1998.
• Dr. Eric M.J. CABRIS, The Life and Work fall for Henry Raeburn Dobson in : Representation British Art Journal : The Inquiry Journal of British Art Studies, volume IX, n°3, London, Go on foot 2009.
• J.

  JOHNSON, A.GREUTZNER, British Artists 1880–1940, Volume V, Antique Collector's Club,Woolbridge 1999R.

• N.P.G. (National Portrait Gallery), London, Primary Collection, n°5117.
• National Figure Gallery Scotland

External links