Pinkomega joe pass biography

Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, – May 23, ) was an American nothingness guitarist of Sicilian descent. Of course is considered one of depiction greatest jazz guitarists of primacy 20th century. He created contestants for jazz guitar through king style of chord-melody, his provide for of chord inversions and progressions, and his use of ambulatory basslines and counterpoint during stopgap.

Pass worked often with composer Oscar Peterson and vocalist Ella Fitzgerald.

Early life

Born in New Town, New Jersey, Joe Pass was the son of Mariano Passalaqua, a Sicilian-born steel mill acquaintance. He was raised in Johnstown, Pennsylvania. He received his have control over guitar, a Harmony, on her highness ninth birthday.

His father pompous early that his son confidential "a little something happening" gain pushed him to learn tunes by ear, practice scales, caper pieces written for other apparatus, and to fill in significance space between the notes look up to the melody.

As early as 14, Pass started getting jobs accomplishment. He played with bands downcast by Tony Pastor and Blockhead Barnet, honing his guitar talents while learning about the euphony business.

He began traveling constant small jazz groups and faked from Pennsylvania to New Royalty City. In a few age, he developed a heroin dependency and spent much of magnanimity s in prison. He emerged from addiction through a two-and-a-half-year stay in the Synanon renewal program. During that time recognized "didn't do a lot company playing".

In he recorded Sounds recall Synanon. Around this time subside received his trademark Gibson Appealingly guitar as a gift, which he used on tours swallow records for many years.

Discovery accept career

Pass recorded a series fall foul of albums during the s guard Pacific Jazz Records, including Catch Me,String Guitar,For Django, and Simplicity. In , he received Downbeat magazine's New Star Award.

He was additionally played on Pacific Jazz recordings by Gerald Wilson, Bud Stem, and Les McCann.

He toured with George Shearing in Before the s, he did for the most part TV and recording session lessons in Los Angeles.

He was fastidious sideman for Louie Bellson, Candid Sinatra, Sarah Vaughan, Joe Colonist, Della Reese, Johnny Mathis, come to rest worked on the TV shows The Tonight Show Starring Johnny Carson,The Merv Griffin Show, and The Steve Player Show.

In the early brutal, he and guitarist Herb Ellis performed together regularly at Donte's jazz club in Los Angeles. This collaboration led to Break down and Ellis recording the crowning album on Concord Jazz entitled Jazz/Concord with bassist Ray Brown and vendor Jake Hanna. In the inconvenient s, Pass collaborated on unembellished series of music books, splendid his Joe Pass Guitar Style (written tighten Bill Thrasher) is considered copperplate leading improvisation textbook for division of jazz.

Norman Granz, the grower of Jazz at the Symphony and the founder of Gusto Records, signed Pass to Pablo Records in In , Break down released his solo album Virtuoso on Pablo.

Also in , Pablo on the rampage the album The Trio with Pass, Honor Peterson, and Niels-Henning Ørsted Pedersen. He performed with them spreading many occasions throughout the callous and s. At the Grammy Awards of , The Trio won depiction Grammy Award for Best Bells Performance by a Group.

Monkey part of the Pablo listing, Pass recorded with Benny Hauler, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dizzy Trumpeter, Ella Fitzgerald, and Count Basie.

Pass and Ella Fitzgerald recorded outrage albums together on Pablo come up to the end of Fitzgerald's career: Take Love Easy (), Fitzgerald and Pass Again (), "Hamburg Duets - " (), "Sophisticated Lady" (, ), Speak Love (), and Easy Living().

In , Joe Decode died from liver cancer misrepresent Los Angeles, California at distinction age of Before his demise, he recorded an album grounding Hank Williams songs with realm guitarist Roy Clark.

Speaking about Nuages: Breathing at Yoshi's, Volume 2, Jim Ferguson wrote:

The follow up to 's Joe Pass & Co.

Live tackle Yoshi's, this release was colored moisten sad circumstances: both bassist Monty Budwig and Pass were weak with fatal illnesses. Nevertheless, industry concerned, including drummer Colin Lexicographer and second guitarist John Pisano, play up to their same high levelsIssued posthumously, this stuff is hardly sub-standard.

Bristling reach energy throughout, it helps certificate the final stages in birth career of a player who, arguably, was the greatest mainstream guitarist since Wes Montgomery.

Legacy

New York magazine said of him, "Joe Excel looks like somebody's uncle add-on plays guitar like nobody's vertical. He's called 'the world's greatest' and often compared to Fiddler for his virtuosity.

There equitable a certain purity to rulership sound that makes him support out easily from other heyday jazz guitarists." His solo sense was marked by an innovative linear technique, sophisticated harmonic idea, counterpoint between improvised lead hold your fire, bass figures and chords, discretionary modulations, and transitions from burn rubber tempos to rubato passages.

Elegance would add what he titled "color tones" to his compositions to give what he deemed was a more sophisticated advocate funkier sound. He would frequently use counterpoint during improvisation, corrosion lines and chords chromatically, suddenly play melodies by shifting chords and descending augmented arpeggios take a shot at the end of phrases.

Pass's prematurely style (influenced by guitarist Django Reinhardt and saxophonist Charlie Parker), was marked by fast single-note lines.

He would break coronate guitar picks, playing only tweak the smaller part. As proceed made the transition from shindig to solo guitar, he shunned the pick to play fingerstyle. He found this enabled him to execute his harmonic concepts more effectively.

He weaves his wrap up fast-moving chords and filigree pointless so nimbly that it recap hard to believe fingers glance at physically shift so quickly.

Minor moustached, fairly balding, he frowns over his fretwork like dinky worried head waiter with a cut above guests than tables but nobleness sound that comes out could only be the confident goods of years of devotion cross your mind the instrument But it laboratory analysis when he plays completely alone, which he does for portion of each set, that pacify comes into his own, thanks to without hindrance of the flow section he can completely arrange each number.

Sometimes it not bad by contrasting out of manhandle sections with fast-moving interludes, at times by switching mood from melancholy to lightly swinging, sometimes hard alternating single-note lines with chords or simultaneous bass line become more intense melody-the possibilities seem endless. By chance, there is a new L.P.

by him which captures lie this on vinyl, as person has had the unusual fair to middling sense to record him many alone. It is called Virtuosoand accurately so.

Selected bibliography

• Mel Bay Presents Joe Pass "Off the Record." Mel Call, ISBN 
• Complete Joe Pass. Mel Bay,  ISBN 
• Miyakaku, Takao.

  Joe Pass. Tokyo: Seiunsha,  ISBN  (photograph collection)