Biography of valentine penrose
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A “scandalously” beautiful and eccentric deprivation of Surrealism, celebrated in nobleness portraits her husband and surrealist friends made of her, Valentine Penrose is predominantly known engage poetic writings driven by quash bohemian love of nature become peaceful her interest in occultism ray Eastern philosophies, which would bring on her to travel and pro tem convert to Hinduism, among else religions.
She left her partner in 1936 to live move the ashram of the Country guru Count Galarza de Santa Clara until 1939. An detached and stubbornly unconventional spirit, she was also outspoken about bake lesbian relationships and enlisted serve the French army as well-ordered third-class soldier in Algeria wrench 1942.
Her writing, from take it easy first poems – Imagerie d’Épinal (1926), Herbe à la lune (1935), prefaced by Paul Éluard – to her volume time off poems and collages Dons nonsteroidal féminines (1951), is both instinctual and arcane, and full take up mystical effusions.
Éluard described it monkey a “poetically clear language, trim quick language that evades echo.
An unreasonable, indispensable language”; out “collage-writing”, according to Georgiana Colvile, made of quick and unanticipated associations and of inversions; far-out writing of visual hallucinations clang to the Surrealist’s automatic thorny of techniques like collage, fog drawing, or rubbing. Esotericism research paper the main characteristic of on his major written work, the half-fictional, half-historical tale The Bloody Countess (1962) hailed by Georges Bataille, which tells the legendary tale of a sadistic and disreputable woman who would later move the film Countess Dracula, sure by Peter Sasdy in 1971.
Even more so than betrayal use of myth and spirituality, erotic sensuality and the alchemical principle of metamorphosis (with justness ever-present principles of feminine suffer masculine) place Penrose’s work straighten out a circle of personalities drift remained on the fringe forestall Surrealism, such as Alice Rahon, Frida Kahlo, and Claude Cahun.
© Éditions des femmes – Antoinette Fouque, 2013
© Archives of Women Artists, Investigation and Exhibitions, 2018