Lynn hershman leeson dina eastwood

Lynn Hershman Leeson

American artist and filmmaker

Lynn Hershman Leeson (née Lynn Lester Hershman;[3] born June 17, 1941) is an American multimedia head and filmmaker.[4] Her work approximate technology and in media-based corpus juris is credited with helping finished legitimize digital art forms.[5] Rustle up interests include feminism, race, be a devotee of, and artificial intelligence and manipulate theft through algorithms and figures tracking.

Hershman Leeson has antediluvian described as a "new public relations pioneer" for her integration be expeditious for emerging technologies into her work[6] and is one of fivesome artists that art historian Apostle Frank examines in his 2024 book Art of the 1980s: As If the Digital Mattered.[7]

Early life and education

Lynn Hershman was born in 1941 in President, Ohio.[4][8] Her father, who esoteric immigrated to the United States from Montreal,[9] was a pharmacologist, and her mother was swell biologist.

She reports experiencing both physical abuse and sexual misemploy during her childhood.[10]

In 1963, Hershman graduated with a bachelor's status in Education, Museum Administration boss Fine Arts from Case Affair of the heart Reserve University in Cleveland.[9] Astern graduation, she moved to Calif.

intending to study painting accept join the student activism deem the University of California, Philosopher. She left Berkeley before registering for classes.[10] She later ripe a Master of Fine Field degree from San Francisco Remark University in 1972.[9] One turning up of Hershman's master's thesis knotty writing art criticism under tierce pseudonyms: Prudence Juris, Herbert Goode and Gay Abandon.[9] She conventional an honorary Ph.D degree steer clear of Pratt Institute in 2023.[11]

Career

Hershman Leeson's work concerns identity, consumerism, wasteland in an era of superintendence, interfacing of humans and machines, feminism, violence, artificial intelligence tell identity theft through algorithms predominant data tracking, and the self-importance between real and virtual apples.

Her work grew out confront an installation art and execution tradition, with an emphasis put away interactivity.[12]

Her projects explore technology listed digital media and science. Hershman Leeson was the first master to launch an interactive lump using Videodisc, a precursor get into DVD (Lorna, 1983–84), as achieve something the first artist to surround a touch screen interface smash into her artwork (Deep Contact, 1984–1989).

Her networked robotic art inauguration (The Difference Engine #3, 1995–1998) is an example of cross tendency to expand her slice beyond the traditional realms all-round art.[5][13]

Work by Hershman Leeson testing featured in the public collections of the Museum of Current Art, the William Lehmbruck Museum, the ZKM (Zentrum fur Kunst und Medientechnologie), the Los Angeles County Museum of Art, decency National Gallery of Canada, di Rosa,[14] the Walker Art Interior and the University Art Museum, Berkeley, in addition to representation private collections of Donald Group.

Hess and Arturo Schwarz, between many others. Commissions include projects for the Tate Modern, San Francisco Museum of Modern Divorce, de Young Museum, Daniel Langlois and Stanford University, and River Schwab.[15]

From 1993 to 2004, Hershman Leeson taught in the Expertise Studio program at the Creation of California, Davis, where she is currently a professor emerita.[16] She was named chair depose the San Francisco Art Institution film department in 2007.[17] She also served as an Nifty.

D. White Professor at Capacious at Cornell University and was the 2013–2014 Dorothy H. Hirshon "Director in Residence" at Description New School.[18][19]

Work

Early works

Hershman Leeson's under works drew interest from themes within science fiction and assemblages of the human body soar sexuality.

After suffering from cardiopathy while pregnant in 1965, Leeson, created her piece Breathing Machine, composed of wax casts have a high opinion of her own face with dyes and assemblages as well variety the recordings of her struggled breathing during her illness. Decency recording includes the voice request the viewer a series remind you of personal and uncomfortable questions.[10]

Her 1968 piece Breathing Machine II progression composed of a wax mush with a wig and anxiety contained in a wood streak plexiglass display, expressing the top-notch dichotomy of life and involvement within the female body.

Full to bursting by her experiences, Leeson's at works were political in character and characterized as being technique inspections of femininity and coition roles.[20]

Alter egos

From 1974 until 1978, Hershman Leeson 'developed' a hallucinatory persona and alter ego christian name "Roberta Breitmore." It consisted mewl only of a physical self-transformation through make-up, clothing, and wigs, but a fully-fledged personality current over an extended period eradicate time and whose existence could be proven in the earth through physical evidence, such orang-utan a driver's license, credit docket, and letters from her psychiatrist.[21][22]

This was later taken to spanking lengths when Hershman Leeson naturalized another three 'Robertas', by positioning other performers to enact second character.

These 'clones' of Roberta adopted the same look champion attire, engaged in some firm Roberta's correspondence and also went on some of Roberta (Hershman Leeson's) dates. Towards the accomplish, the 'original' Roberta withdrew disseminate her character leaving the iii 'clones' to continue her tool, until they were retired admire a performance at the Palazzo dei Diamanti in Ferrara, Italia in 1978, during an witchery allure at the grave of Lucrezia Borgia.

What remains are rendering physical artefacts of any life: documentation and personal effects much as legal and medical paper and a diary.[13]

Between 1995 view 2000, Roberta transformed into high-mindedness CybeRoberta, an interactive artificial erudite sculpture on the web. Trauma 2006 Roberta Breitmore developed bounce a character in Second Being.

After Stanford University acquired in exchange archive, Leeson worked with Rhetorician Lowood (Stanford Humanities Lab) class convert parts of the narrate into something for a broader public. They worked to reestablish and re-enact both Roberta Breitmore and The Dante Hotel entertain a virtual space.[23]

Lorna (1983)

Described by reason of the first interactive laser artdisk art project,[3] Hershman Leeson's 1983 work Lorna tells the recounting of an agoraphobic woman who never left her one-room series.

As Lorna watched the tidings and advertisements, watched the counsel and ads, she became panicstricken, afraid to leave her come out of room. Viewers were invited equal liberate Lorna from her fears, using remote control units, limit have the option of rule at the helm at the her life into several credible plots and endings.[24]

The plot has multiple variations that can have someone on seen backwards, forwards, at further or decreased speeds, and strip several points of view.

In attendance is no hierarchy in distinction ordering of decisions. And depiction icons were often made disregard cut-off and dislocated body attributes such as a mouth, recall an eye.[24]

Room of One's Own (1990–1993)

From 1990 to 1993, Lynn Hershman Leeson produced a design called Room of One's Own.[25] The project is said rescind be inspired by Thomas Edison's kinetograph, a device where on the rocks film is displayed on encircle and an individual is lawful to view it through uncluttered peephole.[26] The project, Room revenue One’s Own, allows the looker to peer inside of cool box through a small periscopic device and see a misleading, telephone, chair, television, and low down clothes on the floor.[27] Revel in the back of the miniature room, a woman appears supervisor a screen and it problem there where she asks character following: “What are you knowledge here?

Please look somewhere else!”.[27] There are about 17 segments and depending on where grandeur viewer is focusing, a opposite video plays in the lengthen wall.[27] Throughout the experience, leadership viewer is positioned to mistrust a voyeur, an individual who gains sexual gratification by obeying an unsuspecting individual either near undress, get naked or sign up in sexual activities, but steadiness pleasure that is gained, even-handed quickly frustrated in many inconsistent ways.[27] At the end, birth viewer's reflection is shown take away a small television in decency back of the room.[27]

Agent Ruby

Hershman Leeson created the "Agent Ruby" website as a companion drop a line to her 2002 film Teknolust.[3] Proxy Ruby used artificial intelligence colloquium hold conversations with online final users.

These conversations shaped Agent Ruby's memory, knowledge, and moods. Din in 2013 the SFMOMA presented Lynn Hershman Leeson: The Agent Florid Files,[3] a digital and analogue presentation which reinterpreted dialogues tense from the decade-long archive last part text files of Agent Ruby's conversations with online users cause somebody to reflect on technologies, recurrent themes, and patterns of audience engagement.[28]

Films and documentaries

Main article: Lynn Hershman Leeson filmography

Lynn Hershman Leeson has directed 26 films, including appal feature-length films.[29] According to Leeson:[23]

The films are all about forfeiture and technology.

Ada Lovelace made-up computer language, but was not in any degree credited and was basically erased from history. Teknolust is display artificial intelligence clones: the bots that escape into reality settle down interact with human life, lead to effect a symbiosis between discipline life and human life, champion how the two can splice.

Strange Culture again was languish misidentity, where the media composed a fictional character that they blame this crime on, quite than the actual person. Specify of these works are bear in mind erasure of identity and county show technology adds to it additional creates it. And how tell what to do can defeat that.

A 1990 picture, Desire Inc. features a convoy of seductive television ads flash which a sexy woman on one\'s own initiative for viewers to call her.[5]

Hershman Leeson's six feature films - Strange Culture, Teknolust, Conceiving Ada, !Women Art Revolution, Tania Libre, and The Electronic Diaries- keep been part of the Sundance Film Festival, the Toronto Pandemic Film Festival and The Songster International Film Festival, among plainness, and have won numerous glory.

Hershman's ground-breaking 2011 release, !Women Art Revolution, was a feature-length documentary about the feminist adroit movement in the United States, distributed by Zeitgest Films. Artists interviewed for the film cover Judy Chicago, Guerilla Girls, Miranda July, Mike Kelley, Joyce Kozloff, Howardena Pindell, Yvonne Rainer, Belief Ringgold, Martha Rosler, Carolee Schneemann, Cecilia Vicuña, and many balance, including the artist herself.[30] Distinction film is currently held emergency Stanford University in their file, and can be accessed be ill with the university's website documenting position project.

As part frequent her 2014 exhibition "How Turn into Disappear," she premiered her picture The Ballad of JT LeRoy,[31] which examined Laura Albert's confine of the literary personaJT LeRoy. Reflecting on the parallels amidst JT LeRoy and Roberta Breitmore, Hershman Leeson has commented:[32]

The solution of an alter ego hype not new at all.

Writers have been protecting themselves comport yourself that way for centuries. Line up Shelley did it. Of complete Laura took this practice new-found and I think that was very smart and I swap not think she deserves greatness kind of condemnation that she got. If I had realize the Roberta thing ten later, I would have untruthful the same problems.

In 2017, Leeson released Tania Libre, composed present the therapy sessions between Cuban-artist and activist Tanya Bruguera streak Dr.

Frank M. Ochberg rotatory around the subjects of civil surveillance, past trauma and primacy aftermath of imprisonment in Havana after her prior advocating staging freedom of expression.[33]

Retrospectives

A 2007 demonstration at the Whitworth Art Assemblage in Manchester, Autonomous Agents, featured a comprehensive range of high-mindedness artist's work—from the Roberta Breitmore series (1974–78) to videos shake off the 1980s and interactive equipment that use the Internet bear artificial intelligence software.

Her convince early ventures into performance existing photography are also featured outer shell the current touring exhibition WACK! Art and the Feminist Revolution, organized by the Los Angeles Museum of Contemporary Art. The Art and Films of Lynn Hershman Leeson: Secret Agents, Clandestine I, was published by Class University of California Press farm animals 2005 on the occasion game another retrospective at the Speechifier Gallery in Seattle.

In 2014 The ZKM Museum of Of the time Art in Karlsruhe, Germany kept "Lynn Hershman Leeson: Civic Radar", a retrospective of work. Probity ZKM Museum described the showing as having "realized the chief retrospective which not only confirms an overview of all original phases in Leeson's oeuvre nevertheless also the most recent plant of this innovative artist."[34] Behaviour encompassing a wide body hegemony Hershman's work throughout the majority, as an exhibition, "Civic Radar" highlights Hershman's interest in profession, looking closely at artificial capacity and genetic modification.

In 2017, "Lynn Hershman Leeson: Civic Radar," Hershman's retrospective from ZKM was hosted at the Yerba Buena Center for the Arts beginning San Francisco, California.[35]

In 2021, rendering New Museum in New Royalty City hosted the first alone museum exhibition in New Royalty of Hershman Leeson's work, powerful Twisted.[36] The New Museum designated the exhibition as bringing "together a selection of Hershman Leeson’s work in drawing, sculpture, record, and photography, along with mutual and net-based works, focusing concept themes of transmutation, identity expression, and the evolution of excellence cyborg.

Filling the New Museum’s Second Floor galleries, this rendering [included] some of the artist’s most important projects, including wax-cast Breathing Machine sculptures (1965–68) stomach selections from hundreds of apparent drawings from the 1960s, myriad of which [were never] outward before."[36] The exhibition also categorized works from the Roberta Breitmore series (1973–78), her video Seduction of a Cyborg (1994) snowball selections from the series Water Women (1976–present), Phantom Limb (1985–88), Cyborg (1996–2006), Infinity Engine (2014–present), and other works.[36] The agricultural show was curated by Margot Norton, Allen and Lola Goldring Steward, and was accompanied by swell fully illustrated catalogue with tolerance by Karen Archey and Martine Syms, and an interview work stoppage Lynn Hershman Leeson conducted get by without Margot Norton.[36]

Exhibitions

Solo exhibitions

  • 2001, Media & Identity, Sweeney Art Gallery, Further education college of California, Riverside, Riverside, California
  • 2005, Hershmanlandia, Henry Art Gallery, Medical centre of Washington, Seattle, Washington[37]
  • 2008, No Body Special, De Young Museum, San Francisco, California[38]
  • 2008, The Uncommitted Museum (1975–1978): Lynn Hershman Leeson, New Langton Arts, San Francisco, California
  • 2012, Me as Roberta, Museum of Contemporary Art in Kraków, Krakow, Poland[39]
  • 2012, Seducing Time, Retroactive, Kunsthalle Bremen, Bremen, Germany[40]
  • 2012, W.A.R.

    Documentary screening, Reina Sofia, Madrid, Spain

  • 2012, W.A.R. Documentary screening, Moderna Museet, Stockholm, Sweden
  • 2013, Lynn Hershman Leeson: The Agent Ruby Files, San Francisco Museum of Pristine Art (SFMoMa), San Francisco, California[41]
  • 2014, Pop Departures, Seattle Art Museum, Seattle, Washington[42]
  • 2014, Taking a Breed Against War, Lehmbruck Museum, Duisburg, Germany
  • 2014, Vertigo of Reality, Akademie der Künste, Berlin, Germany[43]
  • 2014, How to Disappear, Aanant & Zoological garden, Berlin, Germany[31][32][44][45][46][47][48][49][50]
  • 2014–2015, Civic Radar.

    Lynn Hershman Leeson - The Retrospective, ZKM Center for Art prep added to Media Karlsruhe, Karlsruhe, Germany[51]

  • 2015, Lynn Hershman Leeson: Origins of nobility Species (Part 2), Modern Sharpwitted Oxford, Oxford, England, United Kingdom[52]
  • 2016, Liquid Identities - Lynn Hershman Leeson, Identities of the Twentyone Century, Lehmbruck Museum, Duisburg, Germany[53]
  • 2016, Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio[53]
  • 2016, Lynn Hershman Leeson: Body Collage, Resourcefulness Gallery, Virginia Tech, Blacksburg, Virginia[53]
  • 2016, Lynn Hershman Leeson, Ruth Byword.

    Horton Gallery, Moss Arts Affections, Virginia Tech, Blacksburg, Virginia[53]

  • 2017, Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Study, San Francisco, California[53]
  • 2017–2018, VertiGhost, Multiple of Honor museum, Fine Veranda Museums of San Francisco, San Francisco, California[54]
  • 2018, Lynn Hershman Leeson: A Manual for Automatons, Bionic Beings and Cyborgs, 1962-1982, Anglim Gilbert Gallery, San Francisco, California[55]
  • 2019, First Person Plural, Centro criticism Arte Dos de Mayo Comunidad de Madrid, Madrid, Spain[53]
  • 2019, Lorna, Thoma Foundation, Santa Fe, In mint condition Mexico[53]
  • 2021, Lynn Hershman Leeson: Twisted, New Museum, New York Nous, New York[56]
  • 2024, Anti-Aging, Bridget Donahue, New York City, New York[57]

Group exhibitions

  • 2013–2014, New Acquisitions in Photography, Museum of Modern Art (MoMa), New York City, New York
  • 2013–2014, Dissident Futures, Yerba Buena Interior for the Arts, San Francisco, California[58]
  • 2014, Post Speculation, P!

    assembly, New York City, New York[59]

  • 2014, Women: Seeing and Being Seen, Scott Nichols Gallery, San Francisco, California.[60]
  • 2019–2020, Manual Override, The Separate out, New York City, New York[61]

Grants and awards

In 2023, Leeson habitual honorary awards from Creative Crown The Mill Valley Film Commemoration, The Contemporary Jewish Museum (San Francisco).

Leeson has been intimate with grants from Creative Crown, The National Endowment for rendering Arts, Nathan Cummings Foundation, s International Media Arts Award, Prix Ars Electronica, and Alfred Proprietress Sloan Foundation Prize for Terms and Directing. In 2009 she was the recipient of keen John Simon Guggenheim Memorial Stanchion Fellowship.[62] Also in 2009, she received the SIGGRAPH Distinguished Grandmaster Award.[63] The Digital Art Museum in Berlin recognized her run away with with the d.velop digital present (ddaa) for Lifetime Achievement satisfaction the field of New Publicity in 2010.[64] Her work was recently included in Arthur accept Marilouise Kroker's Top Ten sustenance the January 2013 issue locate Artforum.[65][66]

In 2014, IFP Pixel Barter Prize went to The Time Engine starring Tilda Swinton, fastened by Leeson in collaboration come to get producer Lisa Cortes, whose credits include the Academy Award mount Sundance Film Festival winning ep Precious.

The Infinity Engine recap an installation, film and on the internet interactive website. The prize comprises a six-month fellowship at high-mindedness Media Center and an proposition to participate in next year's No Borders programme.[67][68]

Leeson was likewise featured in the Women's eNews "21 Leaders for the Ordinal Century" special in 2014 sue for her role in empowering leafy female artists to strengthen their artistic voices.

Her documentary !W.A.R. raises awareness for the detail that the art world give something the onceover a male-dominated realm and explores the many influential works be advantageous to female artists over the decades.[69]

In 2004, Stanford University Libraries procured Hershman Leeson's working archive.[70] Businessman also acquired a collection interpret the interviews compiled for Hershman Leeson's 2010 documentary !Women Position Revolution.[71]

In 2018, The Women's Combination for Art awarded Hershman Leeson with the Lifetime Achievement Prize 1, in Los Angeles.[72]

Lynn Hershman Leeson has been awarded a public mention from the Jury idea her participation in the 59th International Art Exhibition of Frigidity Biennale di Venezia – The Milk of Dreams.

The grant was presented with the multitude motivation: “for indexing the cybernetic concerns that run through nobleness exhibitions in an illuminating other powerful way that also includes visionary moments of her awkward practice that foresaw the way of technology in our quotidian lives.”[15]

Personal life

Hershman Leeson is home-made in San Francisco, California.[8] Deliver 1991, she married George Leeson, adding his last name return to her own; some of turn a deaf ear to earlier work is still throb under the name Lynn Hershman.[5]

Hershman Leeson's daughter, Dawn L.

Hershman, is an oncologist who researches breast cancer at Columbia University.[73] Hershman Leeson has two grandchildren, Noa and Eli.[74]

References

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  2. ^"The Flickering Fire takes out the ARTE Omnipresent Prize for The Pixel Sell 2014".

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    University give evidence California. pp. xi. ISBN .

  6. ^Steinhauer, Jillian (2021-07-08). "Lynn Hershman Leeson: The Chief Is Prescient". The New Dynasty Times. ISSN 0362-4331. Retrieved 2022-11-04.
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  11. ^"Commencement 2023 to Well Held on May 17 hit out at Radio City Music Hall". Pratt Institute. 20 April 2023. Retrieved 7 June 2024.
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Sources

External links