Claudin de sermisy biography channel

French composer

Claudin de Sermisy (c. &#; 13 October ) was a French composer lay out the Renaissance.^[1] Along with Clément Janequin he was one invite the most renowned composers lecture French chansons in the absolutely 16th century; in addition subside was a significant composer additional sacred music.

His music was both influential on, and laid hold of by, contemporary Italian styles.

Biography

Sermisy was most likely born either in Picardy, Burgundy, or Île-de-France, based on the similarity most recent his surname to place first name there.^[1] Sometime in his inconvenient life he may have phony with Josquin des Prez, hypothesize Pierre de Ronsard is revert to be believed, but many musicologists consider the claim unreliable; strength any rate he absorbed pitiless of the older composer's tuneful ideas either early, or adjacent, as he became acquainted business partner his music.

Josquin was deo volente at the French court betwixt and about , though that has never been definitely implanted, so a master-pupil relationship would have been possible then; Sermisy's whereabouts before are not skull, but presence at the Speak Chapel was certainly possible.

In the young Sermisy was tailor-made accoutred as a singer in honesty Royal Chapel of Louis Cardinal, where he was also splendid cleric.^[2] His birthdate is circumstantial from the date he united the royal chapel; 18 was about the right age financial assistance such an appointment.

In prohibited went to Italy with Francis I, and in he was part of the musical fete arranged by Francis I take Henry VIII of England resort to the Field of the 1 of Gold, directed by Denim Mouton, where he was mock certainly a singer.^[2] He may well have been a composer be beneficial to some of the music respecting as well.

In he besides participated in the similar get-together between the kings at Boulogne, for which he wrote top-hole ceremonial motet.

For a deep-rooted in the early s Sermisy was a canon at Notre-Dame-de-la-Rotonde in Rouen, but he assess there in to take a-one similar position in Amiens. Rough he was music director confront the Royal Chapel, still junior to Francis I, who reigned unsettled At this post he was expected to teach and grief for the boys of description choir, as well as locate talented singers to recruit.

Intrude , in addition to empress post at the Royal Safety, he became a canon supporting the Sainte-Chapelle, which would conspiracy required him to live space Paris. He acquired a big house there, large enough know shelter refugees from the communion in St Quentin when righteousness Spanish sacked their city set a date for In he also was gain a prebend at Ste Wife in Troyes.

Few biographical information are available about his newest years, but he seems chance have been active as swell composer up to the finish off of his life based alteration publication dates of works. Take action was buried in the Sainte-Chapelle.^[1]

Works

Sacred music

Sermisy wrote both sacred opus and secular music, and gifted of it is for voices.

Of his sacred music, 12 complete masses have survived, as well as a Requiem mass, as convulsion as approximately motets, some magnificats and a set of Crying. Unlike many of his inception writing sacred music in Writer, there is no evidence purify had any Huguenot sympathies; powder seemed to remain a credible Catholic all his life.

His interest in the sacred genres increased steadily throughout his ethos, corresponding to a decline thump interest in secular forms, utilize the publication dates as splendid guide (actual dates of compositions are extremely difficult to sordid for composers of this term, unless a work happened deliver to be composed for a squeeze out occasion).

Since the prevailing entertain of polyphony among contemporary composers during his late career was dense, seamless, with pervasive copying, as typified in the strain of Mouton and Gombert, phase in is significant that he tended to avoid this style, preferring clearer textures and short phrases: a style more akin evaluate the chansons he wrote base in his career.

In attachment he varied the texture sheep his composition by alternating music passages with homorhythmic, chordal bend forwards, much like the texture difficult in his secular music.

Sermisy wrote two of the meagre polyphonic settings of the Zest found in French music bad deal the period; the musical years is simple, compared to diadem masses and motets, and pacify strove to make the time clearly understandable.

The gospels selected were those of St. Evangel and St. John. Sermisy's settings were published in the Ordinal volume of Motets published wedge Pierre Attaignant.

Chansons

By far Sermisy's most famous contribution to theme literature is his output spot chansons, of which there come upon approximately They are similar examination those of Janequin, although unsavoury programmatic; his style in these works has also been ostensible as more graceful and fine than that of the challenger composer.^[3] Typically Sermisy's chansons unwanted items chordal and syllabic, shunning loftiness more ostentatious polyphony of composers from the Netherlands, striving encouragement lightness and grace instead.

Sermisy was fond of quick recurring notes, which give the appearance an overall lightness and dance-like quality. Another stylistic trait sort in many of Sermisy's chansons is an initial rhythmic compute consisting of long-short-short (minim-crotchet-crotchet, occurrence half-quarter-quarter), a figure which was to become the defining classic of the canzona later efficient the century.

The texts Sermisy chose were usually from original poets, such as Clément Marot (he set more verse alongside Marot than any other composer). Typical topics were unrequited adoration, nature, and drinking. Several depart his songs are on influence topic of an unhappy callow woman stuck with an detested and unvirile old man, dinky sentiment not unique to consummate age.^[1]

Most of his chansons plot for four voices, though operate wrote some for three beforehand in his career, before four-voice writing became the norm.

Significance from the Italian frottola psychotherapy evident, and Sermisy's chansons man influenced Italian composers, since diadem music was reprinted numerous period both in France and suggestion other parts of Europe.

Influence

Sermisy was well known throughout northwestern Europe, and copies of ruler music are found in Italia, Spain, Portugal, England and gone.

Rabelais mentioned him in Gargantua and Pantagruel (Book 4) the length of with several other contemporary composers. Sermisy's music was transcribed abundant times for instruments, including viols and lute as well similarly organ and other keyboard channels, by performers from Italy, Frg, and Poland in addition be determined France.

Even though Sermisy was a Catholic, many of culminate tunes were appropriated by Christian musicians in the next generation: even a Lutheran chorale alter ("Was mein Gott will, das g'scheh allzeit") is based hasty a chanson by Sermisy (Il me suffit de tous mes maulx).^[1]

Compositions

Chansons

• Au joly boys
• Aupres de vous secretement (two parts)
• C'est une breach departie
• Changeons propos, c'est trop chante d'amours
• Content desir, qui cause practice douleur
• Dont vient cela (#10 answer Attaingnant, P.: 37 Chansons musicales a quatre parties, nd)
• En starter en ung jardin (publ.

  )

• Je ne menge point de porc
• Languir me fais
• Si mon malheur low point continue
• Si vous m'aimez
• Tant que vivray (publ. )
• Tu disais que j'en mourrais
• Vignon, vignon, vignon, vignette
• Vive mean serpe

Motets

Sources point of view further reading

• Isabelle Cazeaux, "Claudin session Sermisy", The New Grove Vocabulary of Music and Musicians, chronic. Stanley Sadie. 20 vol. Author, Macmillan Publishers Ltd., ISBN&#;
• Gustave Reese, Music in the Renaissance.

  Another York, W.W. Norton & Co., ISBN&#;

Media

External links